"This exhibition reflects Faldbakken’s continued interest in morphing a pre-existing language of forms into a deadpan vernacular. Through suspect negotiations and inferred mediations, Faldbakken sources iconic sculptures produced in the 20th century. The artist essentially de-skills modernist sculpture’s aspirations toward the aerodynamic, the minimal, and the abstract by acrobating revered works of ‘art’ into vessels for intoxication."

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